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Materials Development

curriculumMethodology

Materials development is the principled process of creating teaching and learning resources — coursebooks, worksheets, digital content, audio/video, task sequences — grounded in theory, research, and knowledge of learner needs. It is distinct from materials adaptation (adapting existing materials) and materials evaluation (assessing materials' suitability), though the three processes are closely related.

Brian Tomlinson, the leading figure in this field, has argued consistently that materials development should be driven by principles of second language acquisition, not by publishing conventions or commercial pressures (Tomlinson, 1998, 2011).

Tomlinson's Principles

Tomlinson (2011) synthesised research into a set of principles for effective materials:

PrincipleImplication for materials
Rich and varied inputExpose learners to extensive, diverse, and authentic language — not just graded, simplified text
Affective engagementMaterials should engage learners emotionally — curiosity, humour, personal relevance, surprise
Noticing facilitationHelp learners notice features of input through tasks, highlighting, or consciousness-raising — not just explicit rules
Opportunities for outputProvide meaningful tasks that require learners to produce language for communicative purposes
Contextualised practicePresent and practise language in meaningful contexts, not in isolated drills
Catering for differencesAllow for different learning styles, speeds, interests, and proficiency levels
Achievement and confidenceActivities should be challenging but achievable — learners need regular experiences of success
Delayed grammar teachingAllow learners to encounter and process language before explicit analysis (Tomlinson's "text-driven" approach)

The Development Process

1. Needs analysis

Establish who the learners are, what they need, and in what context they will use the language. Without needs analysis, materials are generic at best and irrelevant at worst.

2. Goals and objectives

Define what the materials should achieve, ideally aligned with learning outcomes and backward design principles.

3. Framework design

Establish the overall structure: how many units, what sequence, what recurring task types, how skills are integrated. This overlaps with scope and sequence and course design.

4. Content creation

Write texts, design tasks, create visuals, record audio. Each component should serve a clear pedagogical purpose. Questions to ask:

  • Does this text provide rich, engaging input?
  • Does this task require meaningful language use?
  • Is the difficulty appropriate?
  • Does the sequence move from receptive to productive, guided to freer?

5. Piloting

Test materials with actual learners. Observe what works and what does not. No amount of desk-based planning substitutes for classroom trialling.

6. Revision

Revise based on piloting feedback. This iterative cycle (write → pilot → revise) is what separates principled development from one-shot production.

7. Evaluation

Systematic evaluation after use, feeding into the next iteration.

Common Pitfalls

  • Grammar syllabus driving everything — Units organised around grammar points often produce incoherent themes, unnatural texts, and contrived practice
  • Neglecting extensive reading/listening — Over-focus on intensive exercises at the expense of exposure to extended texts
  • Cosmetic engagement — Colourful layout and photos do not substitute for cognitively and affectively engaging content
  • Ignoring the teacher — Materials that cannot be adapted or that assume a single teaching approach frustrate experienced teachers
  • No piloting — Publishing untested materials and relying on author intuition

In Institutional Contexts

Language schools and programmes that develop their own materials (rather than relying solely on published coursebooks) gain:

  • Relevance — Materials can be tailored to specific learner populations and institutional goals
  • Coherence — Materials can align precisely with the scheme of work and assessment
  • Currency — Topics and texts can be updated rapidly
  • Ownership — Teachers who develop materials understand them more deeply than teachers using imposed coursebooks

The cost is time and expertise. A minimum viable approach: use a coursebook as the spine, develop supplementary materials for gaps, and gradually build an institutional materials bank through iterative piloting and revision.

Key References

  • Tomlinson, B. (Ed.) (2011). Materials Development in Language Teaching (2nd ed.). Cambridge University Press.
  • Tomlinson, B. (1998). Materials Development in Language Teaching. Cambridge University Press.
  • McGrath, I. (2002). Materials Evaluation and Design for Language Teaching. Edinburgh University Press.

See Also

Related Terms